Blog : Allgemein

ROOM WITH A VIEW

Fans of Paul „Paulophon“ Berberich’s saxophonic prowess will be pleased to learn that his trio ZUR SCHÖNEN AUSSICHT is about to publish a new album on the WhyPlayJazz label called „Willkommen Zuhause“. These leading lights of the „Dresdner Schule“ are going on a two-week tour to promote it, culminating in a concert on December 4th, 20:00 hours, at the A-TRANE club. Everything on this album was recorded in one take, in order to capture the uniqueness of the ZSA live experience.

www.zurschoenenaussicht.info  for further dates

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Y’EN A MARRE? PAS AVEC AMANAR!

All you unfortunate people who didn’t catch The Omniversal Earkestra sizzling concert in tandem with Amanar on September 26th now have a chance to catch up next year, as the Amanar Earkestra have been invited to play at Würzburg’s Africa Festival, taking place from May 25th to May 27th. The programme hasn’t been published yet, but we’ll keep you informed when it appears.

In the meantime, don’t hesitate to drop by and let your hair down to the Earkestra every Monday for the next few weeks, as live recording is still underway there for the Omnies‘ new album. Whoops and hollers are welcome, feel free to shake it loose!

You can also see a couple of clips from the last concert on the „Mali Blues“ Facebook page. Just scroll down to September 27!

 

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Just Deserts

Craving for some more Desert Blues from Mali? Don’t miss Amanar’s concert (featuring guest rapper Master Soumy and DJ Dony Brasco) at JK’s on Schleusenufer, taking place on Saturday, September 24.
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Based in Kidal in the extreme Northeast of Mali, the heart of Azawad, Amanar plays a contemporary version of the classic Tuareg guitar. Often referred to as the “desert blues” sound, Amanar is at the forefront of the modern avant-garde interpretation.

Moving from the wistful nostalgia of their predecessors, their fast interpretation of desert blues draws from a menagerie of influences. Their guitars are mixed with percussion and flute, with an introduction of drum kits, electric piano, and elements of rap. Yet above all, it is a sound that remains rooted in Kidal. As other local favorites Tinariwen and Terakaft have moved on to international careers, Amanar have emerged as a favorite of the Tuareg youth, sought after in local marriages, political campaigns, and soirees.

Under the leadership of Ahmed Ag Kaedi, the group Amanar is a collective that receives and trains willing youth, reflecting an idea at the core and history of Tuareg guitar as a vehicle to transmit ideas. Ahmed’s lyrics have evolved from the ancient calls of rebellion to the need for education in the Tuareg community, critiques of the corruption amongst the elite, and calls for the construction of a large united Mali — all ideas that Kaedi calls “the real rebellion.”

Touring throughout Africa, the group performed at Festival au Desert in 2010, earning the Prix de la Revelation, earning them a European debut at the Presenze d’Africa Festival in Florence, Italy. Their first album, “Alghafiat”, a local production recorded in Kidal, was released internationally in 2010 and their songs have been featured on various compilations and broadcasts.

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And don’t miss „Mali Blues“ if it shows round your place: it’s a fascinating documentary on the problems facing Mali’s young artists in an atmosphere of rising intolerance against musicians in their own country, featuring Amanar’s Ahmed Ag Kaedi.

BLO BY BLO

A change is as good as a rest. Between two of their usual dates on Schleusenufer, the Omniversal Mothership will be landing on the premises of the BLO Studios in Lichtenberg on Friday, September 16, as part of the „Lange Nacht der Bilder“. Heaven knows what Omnilicious delights they have in store for us…

BLO, Brother, BLO

FACEBOOK LINK

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THE DANUBE IS NOT BLUE

Spike Jones & The City Slickers‘ prophecy will finally come true on Thursday, August 11: watch the Donau 115 Café turn green when it will be occupied by a giant Frog (surrepticiously taking the human form of Fabiana Striffler, Declan Forde and James Banner to entice us mortals) and the amphibian combo will regale the multitudes with works by Olivier Messiaen, Béla Bartók and a few home-brewed compositions. Anyone who enjoyed Fabiana’s recent gig with Greg Cohen in the same locale (when Declan joined the duo and pumped up the volume at the pianola for a rousing encore) knows what to expect. Festivities start at 20:30, and the location is, rather surprisingly, at No 115 in the Donaustrasse. This is where you read it first.

 

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DA VORNE STEHT’N HAMPEL

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Celebrate, celebrate, dance to the music!

We are proud to announce a further instalment of Gunter Hampel’s yearly birthday celebrations with The Omniversal Orchestra, taking place on August 31, 2016, within the glamorous locale known as J.K.’s, at the end of Schleusenufer.

Lucky are those who have heard the complete discography of one of the most prolific musicians of the last few decades. In 1969, he formed Birth Records to release „The 8th of July 1969,“ an album of his compositions performed by a group that included Anthony Braxton, Jeanne Lee, Steve McCall, Willem Breuker, and Arjen Gorter. Since then, Birth has released more than 50 albums of Hampel’s work in a variety of configurations, including the Gunter Hampel Jazz Quintet, Heartplants quintet, World Community Orchestra, Free Jazz Trio, and New York Orchestra.

 

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Hampel was an early starter, taking piano lessons from the age of four. By the time he was 16, he could also play recorder, accordion, clarinet, saxophone, and vibes. He was first exposed to jazz when American troops occupying his hometown of Göttingen at the end of World War II listened to jazz on the Armed Forces Network and Willis Conover’s Voice of America shows, his earliest influence being Louis Armstrong, but also taking in European classical and folk music with open ears. He started playing all styles of jazz, from Dixieland to bebop, with his own bands, and also composed material for them. After studying architecture while continuing to play music on the side, he started playing jazz professionally in 1958, and six years later formed the Heartplants quintet, which included Alex von Schlippenbach and Manfred Schoof, whose self-titled album was Hampel’s first recording, released on Saba Records: it was even rated five stars in Down Beat magazine! Hampel began touring Europe and elsewhere for festivals. He started a long personal and musical partnership with vocalist Jeanne Lee in 1967. In the late 60s, he recorded for the Wergo and ESP labels and played with Steve McCall, Pharoah Saunders and Sonny Sharrock. His apartment in downtown New York saw such prestigious names as Archie Shepp, Ed Blackwell, Frank Wright, Enrico Rava, Jaco Pastorius, David Murray, Sam Rivers…and Jimi Hendrix drop by for rehearsals.

Since then, Gunter Hampel has continued to delight audiences and collectors alike with his never-ending stream of concerts and record releases on his Birth label, playing with musicians as diverse as Bill Frisell, Joachim Kühn, Albert Mangelsdorff, Perry Robinson, Sunny Murray and Andrea Centazzo. Don’t miss the opportunity to catch the man in action with his trio, dancers and the blastiferous Omniversal Earkestra on the 31st!

And to wet your appetite: there is a DVD of last year’s Omni-Hampel feast available on Birth. Just go forth to Gunter’s website.

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FROM EAST TO WEST

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They’re at it again! The Far East Trio will be shaking your lobes in the Art Deco confines of The Bröhan Museum

on Thursday, July 21 at 21:00 … and entry is free! Miss it at your own peril!

Bröhan Museum,
Schloßstrasse 1a

More Info from the Bröhan Website

 

EASTERN PROMISE

Are you a sucker for piano trios? Does the Duke rock your Juke? Is Fats where it’s at? Then deport yourself to Cafe Tasso in Friedrichshain where Omni-bass supremo „Symphony Sid“ Werner will pluck his strings with his mates from the Far East Trio, Declan Forde and Aidan Lowe, on some tunes by Edward Kennedy Ellington and Thomas „Fats“ Waller, done their (very idiosyncratic) way.

The date’s Tuesday, July 5 at 8 o’clock sharp.

Cafe Tasso,
Frankfurter Allee 11

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FACEBOOK LINK

THINGS AIN’T WHAT THEY USED TO BE (They’re Getting Better)

TAKE IT TO THE FRIDGE!

Johnny Frigo may sound like the name of a French pioneer of Electronic Cold Wave, but he was actually a highly appreciated American jazz violinist (and sometime bassist) who had played with musicians and singers as diverse as Tommy Dorsey, Helen Merrill, Martin Denny, Della Reese, Ken Nordine, Anita O’Day, Monty Alexander, John & Bucky Pizzarelli, The Chi-Lites, Kurt Elling, Mahalia Jackson and Curtis Mayfield. Fabiana Striffler will be paying tribute to him in the company of Zola Mennenöh and Greg Cohen (Does he need introducing? He’s supplied unforgettable basslines for John Zorn, Bill Frisell, Dave Douglas, Lou Reed, Tom Waits, Laurie Anderson and countless others). Donau115 in Neukölln is the place to be on Saturday, June 18, at 20:30, so get there early if you don’t want to get stuck inside the refrigerator because there’s no other space left…

Facebook Link

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BEYOND THE WOODEN GATE

What a way to start the season! The Omni-Space Cadets wowed a well-charged audience big-time last Monday for their first Summer gig at J.K.’s. The lucky attendees were treated to the premiere of a new work in the band’s repertoire by Malian songstress Oumou Sangaré, „Dugu Kamalemba“. Meanwhile, in the perfect acoustics of Jonny’s Love Shack, Mood N’Dugu cracked more of his inimitable jokes: you could cut the atmosphere with a rusty bread knife.

Don’t think twice: J.K. is your next destination. Be seeing ya!

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The President of the Omni-Fan Club was there, of course
(Artwork by Jan Zrzavý)

J. K.
Covering the waterfront at the dark end of Schleusenufer
Berlin Kreuzberg